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The 24 Preludes Opus
28
Published in September 1839,
Chopin organized the Preludes so that each was
written on one of the 24 tonalities. He presented
them in the order of the scales, with each major
key followed by its relative minor key, in the same
fashion that J.S. Bach had written his Preludes and
Fugues nearly 100 years earlier.
Chopin wrote most of the
Preludes during his stay with George Sand in
Mallorca, Spain in 1838. However, before leaving
Paris, to join Sand, he had already composed and
presented some of them to his friend and editor,
Camille Pleyel, to whom he dedicated the collection
in the first French edition.
This collection that Chopin
so modestly called "Preludes" are not just what the
title suggests - short pieces to be played as an
introduction to other pieces. They are musical
poems, portraits of emotional moments from an
artist faced with mortality. The diversity in
writing, technical demands, and beauty are
remarkable. Some reveal the terror and visions of
death present in moments of hallucination. Others
are filled with passion and tenderness, revealing
the unity of art and nature. As one delves deeply
into this masterpiece, either as a listener or as a
performer, it is a never-ending journey of
emotional experiences and discoveries.
- G.D.
10/97
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About The
Artist
A native of Rio de Janeiro,
Brazil, Geísa Dutra has captivated audiences
in Europe, and North and South America with her
versatility and powerful, yet sensitive
performances.
Winner of the 1985 Cliburn
International Piano Institute Award, the 1983
Johannesen International School of the Arts Award
(Canada) and the 1986 Ladies Musical Club
Competition in Seattle, Ms. Dutra has also placed
first in numerous competitions in Brazil.
Geísa Dutra started
her musical training at the age of four, with her
mother Isabel Dutra, performing her first recital
one year later. She continued her studies with
Heitor Alimonda at the Escola de Musica da
Universidade Federal do Rio de Janeiro and with
Bèla Siki at the University of
Washington.
Her successful European debut
in 1991-92 included concerts in Belgium and
Germany. After a season highlighted by a recital at
the United Nations' 50th Anniversary Celebration in
San Francisco, Ms. Dutra has also gained high
praise for her concerts in Rio de Janeiro,
São Paulo, Seattle and Chicago. A frequent
guest and performer on National Public Radio and
television, her humor and joie de vivre have made
for informative and engaging
interviews.
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Frédéric Chopin
(1810-1849)
The 24 Preludes Opus 28
Geisa Dutra, piano
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Nr. 1 in C
Major, Agitato
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:38
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Nr. 2 in A
minor, Lento
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2:28
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Nr. 3 in G
Major, Vivace
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:58
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Nr. 4 in E
minor, Largo
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1:57
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Nr. 5 in D
Major, Allegro
Molto
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:34
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Nr. 6 in B
minor, Lento Assai
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2:32
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Nr. 7 in A
Major, Andantino
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:47
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Nr. 8 in F#
minor, Molto
Agitato
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1:43
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Nr. 9 in E
Major, Largo
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1:52
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Nr. 10 in
C# minor, Allegro
Molto
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:33
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Nr. 11 in B
Major, Vivace
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:44
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Nr. 12 in
G# minor, Presto
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1:13
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Nr. 13 in
F# Major, Lento
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3:20
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Nr. 14 in
Eb minor, Allegro
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:32
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Nr. 15 in
Db Major,
Sostenuto
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5:08
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Nr. 16 in
Bb minor, Presto con
fuoco
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1:13
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Nr. 17 in
Ab Major,
Allegretto
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3:43
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Nr. 18 in F
minor, Allegretto
Molto
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:58
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Nr. 19 in
Eb Major, Vivace
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1:23
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Nr. 20 in C
minor, Largo
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1:44
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Nr. 21 in
Bb Major,
Cantabile
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2:17
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Nr. 22 in G
minor, Molto
Agitato
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:45
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Nr. 23 in F
Major, Moderato
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:54
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Nr. 24 in D
minor, Allegro
Apassionato
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2:36
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Total
Time
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40:32
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TOP
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